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Dibakar Karmakar carries a jovial nature and is quite optimistic and modest by virtue. In his paintins, Dibakar adjoins the formal qualities of abstract art while expressing and communicating the desire for its metaph...
Dibakar Karmakar carries a jovial nature and is quite optimistic and modest by virtue. In his paintins, Dibakar adjoins the formal qualities of abstract art while expressing and communicating the desire for its metaphysical importance. Through an inward journey, his work is an assertive quest for original truth and beauty beyond the fakeness and falsehood of human aspirations. One gets a sense of the inexorableness and mystery of the natural order through these words, something which is further underscored by the integration of hallucinatory impression of strikes an colour movements. His work of art articulates a visual counterpoint but also gives the pleasure of smooth juxtaposition without compelling the eye to fluctuate.
He also emphasizes the actual process of making art: to utilize the canvas positively, to experiment with tones and shades and to explore the aesthetics of colour and texture. In this way he creates movement and depth while also analysing the basic qualities and properties of flatness. Dibakar’s colours are incredibly lucid and tangible creating a sense of mesmeric effect on the canvas plane. A gamut of layers and shadows form the core of the artwork that can be created from the same colour.
Dibakar has completed his Master of visual arts (M.V.A.) from Rabindra Bharati University,Kolkata, 1994. Karmakar has got the ‘Junior Fellowship’ of Dept of Culture. He is recipient of several awards. Last 22 year from his early days of Rabindra Bharati Karmakar participated and organized many exhibition including six solo show at Kolkata, Mumbai, Delhi, Ahmadabad and Chandigarh. Formed a group named “ANTIVIRUS”. Apart from his journey as a painter he also involved in the field of painting conservation He started his carrier as Restoration Assistant in a project of ‘Conservation of Wall Painting’ by National Museum, New Delhi, at the university of Calcutta and conserved several rare frescos of eminent artist Shree Dherendra Krishna Dev Barman in the year 1996-98. He also worked as an 'Assistant Restorer' in the project of 'Oil Painting Restoration' at the Asutosh Museum of Indian Art', Kolkata from 01-03-2000 to 12-05-2003 and joined as Restoration Assistant in the Victoria Memorial Hall, Kolkata on 13.05.2003.
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Dibakar Karmakar carries a jovial nature and is quite optimistic and modest by virtue. In his paintins, Dibakar adjoins the formal qualities of abstract art while expressing and communicating the desire for its metaphysical importance. Through an inward journey, his work is an assertive quest for original truth and beauty beyond the fakeness and falsehood of human aspirations. One gets a sense of the inexorableness and mystery of the natural order through these words, something which is further underscored by the integration of hallucinatory impression of strikes an colour movements. His work of art articulates a visual counterpoint but also gives the pleasure of smooth juxtaposition without compelling the eye to fluctuate.
He also emphasizes the actual process of making art: to utilize the canvas positively, to experiment with tones and shades and to explore the aesthetics of colour and texture. In this way he creates movement and depth while also analysing the basic qualities and properties of flatness. Dibakar’s colours are incredibly lucid and tangible creating a sense of mesmeric effect on the canvas plane. A gamut of layers and shadows form the core of the artwork that can be created from the same colour.
Dibakar has completed his Master of visual arts (M.V.A.) from Rabindra Bharati University,Kolkata, 1994. Karmakar has got the ‘Junior Fellowship’ of Dept of Culture. He is recipient of several awards. Last 22 year from his early days of Rabindra Bharati Karmakar participated and organized many exhibition including six solo show at Kolkata, Mumbai, Delhi, Ahmadabad and Chandigarh. Formed a group named “ANTIVIRUS”. Apart from his journey as a painter he also involved in the field of painting conservation He started his carrier as Restoration Assistant in a project of ‘Conservation of Wall Painting’ by National Museum, New Delhi, at the university of Calcutta and conserved several rare frescos of eminent artist Shree Dherendra Krishna Dev Barman in the year 1996-98. He also worked as an 'Assistant Restorer' in the project of 'Oil Painting Restoration' at the Asutosh Museum of Indian Art', Kolkata from 01-03-2000 to 12-05-2003 and joined as Restoration Assistant in the Victoria Memorial Hall, Kolkata on 13.05.2003.
Madhyamik, 1987, from West Bengal School of Secondary Education.
B.V.A. (Bachelor of Visual Art),1992, from Rabindra Bharati University, Kolkata
M.V.A.( Master of Visual Art), 1994, from Rabindra Bharati University, Kolkata.
(Dissertation Work: ”BIMURTOTA” Abstract movement in India special reference with contemporary abstract movement in West Bengal.)
Solo Exhibitions:
2014 Solo Exhibition of Painting’s at Kamalnayan Bajaj Art Gallery, Mumbai.
2012. Solo Exhibition of Painting's at Jehangir Art Gallery, Mumbai,
2006. Solo Exhibition of Painting's at Jehangir Art Gallery, Mumbai,
2001. Solo Exhibition of Painting's at West Gallery of Academy of Fine Arts, Kolkata.
2000. Solo Exhibition of Painting's at West Gallery of Academy of Fine Arts, Kolkata.
2000. Solo Exhibition of Painting's at ANZ Grindlays Bank, Kolkata.
1999. Solo Exhibition of Painting's at Nehru Centres’ Circular Gallery, Mumbai.
Group Exhibitions:
2011. Participated as an invitee in a group exhibition of paintings at Rabindra Natya Mandir, Mumbai.
2011. Form a group of contemporary young artist named ‘Antivirus’ and done two group show at Academy of Fine Arts, Kolkata.
2011. Organized a group show at Ravindra Natya Mandir, Prabhadevi, Mumbai.
2010.Organized a Group shows at Arpana Art Gallery, New Delhi.
2010. Participated as an invitee in an exhibition of paintings & sculpture Sponsored by Bharat Kala Kendra, held at Birla Academy of Art & Culture, Kolkata.
2009. Participated as an invitee in an exhibition of paintings curetted by Anirudh Chari, organized by Gallery K2, Kolkata.
2008. Participated in the Annual Show of Birla Academy of art and culture, Kolkata
2007. Participated as an invitee in an exhibition of paintings organized by ‘TRIO’ an organization for the promotion of sports art and culture, curetted by Suneet Chopra at Birla Academy of Art and Culture, Kolkata.
2007. Participated in the Annual Show of Birla Academy of art and culture, Kolkata.
2005. Joint show of paintings at Jodh Gallery, Chandigarh
2000. Participated in the Annual Show of State Academy of dance, drama, music and visual arts of Rabindra Bharati, Kolkata.
2000. Participated in 'Realism' show organized by ‘The Easel Art Gallery', Madras,
2000. Participated in 42nd National Exhibition of Lalit Kala Akademi held in Jaipur and Delhi.
1999. Participated in “1st All India Art Exhibition of Drawing & Prints" at Chandigarh.
1998. Participated in Birla Academy 'Kala Mela' , at Kolkata
1997. State level exhibition of All India Fine Arts and Crafts Society for celebrating 50 years of Independence held
1997. Organized a Groups show of Paintings, Sculpture & print making at Rabishankar Raval Kala Bhawan, Lalit Kala Art Gallery, Ahmedabad.
1996. Organized a Joint show of Paintings at Birla Academy of Art & Culture, Kolkata.
1992. Incoda Metro Mobile Exhibition.
1992. Annual show of Indian Society of Oriental Art, Kolkata.
1992 To 1996. Annual Exposition of Rabindra Bharati University, Kolkata
1990 and 2001. Mid Summer Exhibition at Academy of Fine Arts, Kolkata
1990 and 2001. Annual Exhibition at Academy of Fine Arts, Kolkata
2013 Awarded ‘Mellon Fellowship’ of The Netherlands in the field of painting conservation.
1997-98 Awarded ‘Junior Fellowship’ of India Government .
1996 Awarded from Rabindra Bharati University Annual Show.
1992 Mathuranath Dutta Motayed Memorial Award from Indian Society of Oriental Art.
1991 Awarded first prize from the ‘Incoda Metro Mobile Exhibition’
