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My present works are based on MY INNER SPACE, which I am experiencing while meditation, process of searching within. We spend too much of our time listening to our own inner chatter, and that by learning to quiet the ...
My present works are based on MY INNER SPACE, which I am experiencing while meditation, process of searching within. We spend too much of our time listening to our own inner chatter, and that by learning to quiet the mind, and make some positive adjustments to our lifestyle, we will tap into a more balanced consciousness.
[Video - Indian Artist Deepak Sonar: The Background Takes Centre Stage]
I had got a government job in which I was required to do still animation but I wasn’t quite enjoying it, so I decided to resign and become a full time artist. After leaving the job, the paintings I started doing were figurative. I thought there must be some progress in my work and gradually figures in my painting started vanishing and the background became foreground. Whatever I do is called abstraction but you get the feel of a landscape in it. I had a small wiper in my house, which I started my paintings with but I now use a bigger one with the help of which my paintings become softer. It becomes difficult to soften the acrylic because acrylic is usually dry and hence I use this, which helps me in my paintings. I do my paintings in layers and so they have around 25-30 layers. Any painting is complete only when the painter is satisfied with it.
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BIODATA
My present works are based on MY INNER SPACE, which I am experiencing while meditation, process of searching within. We spend too much of our time listening to our own inner chatter, and that by learning to quiet the mind, and make some positive adjustments to our lifestyle, we will tap into a more balanced consciousness.
[Video - Indian Artist Deepak Sonar: The Background Takes Centre Stage]
I had got a government job in which I was required to do still animation but I wasn’t quite enjoying it, so I decided to resign and become a full time artist. After leaving the job, the paintings I started doing were figurative. I thought there must be some progress in my work and gradually figures in my painting started vanishing and the background became foreground. Whatever I do is called abstraction but you get the feel of a landscape in it. I had a small wiper in my house, which I started my paintings with but I now use a bigger one with the help of which my paintings become softer. It becomes difficult to soften the acrylic because acrylic is usually dry and hence I use this, which helps me in my paintings. I do my paintings in layers and so they have around 25-30 layers. Any painting is complete only when the painter is satisfied with it.
I had got a government job in which I was required to do still animation but I wasn’t quite enjoying it, so I decided to resign and become a full time artist. After leaving the job, the paintings I started doing were figurative. I thought there must be some progress in my work and gradually figures in my painting started vanishing and the background became foreground. Whatever I do is called abstraction but you get the feel of a landscape in it.I had a small wiper in my house which I started my paintings with but I now use a bigger one with the help of which my paintings become softer. It becomes difficult to soften the acrylic because acrylic is usually dry and hence I use this which helps me in my paintings. I do my paintings in layers and so they have around 25-30 layers. Any painting is complete only when the painter is satisfied with it.
G.D .Art. A.K.Mahavidyalaya, Tilak Road, Pune
Dip. In Art Education, Sir J.J. School Of Art
SOLO SHOWS GALLERY LEELA, MUMBAI-1997
H S B C BANK PUNE, 2005
LOHEGAON AIR PORT, PUNE 2005
INDIA ART GALLERY , PUNE 2006
KALAHITA ART FOUNDATION, HYDERABAD
-2007
NEHRU CENTER MUMBAI- 2008
JEHANGIR ART GALLERY MUMBAI,-2010,2015
GALLERY ART ALTERNATIVE, GURGAON -2010
PRAKRIT ART GALLERY, CHENNAI -2010
PRAKRIT ART GALLERY, CHENNAI -2012
GROUP SHOWS BALGANDHARVA KALA DALAN -1985
TO 2009 [TOTAL 25 SHOWS]
CHAVAN CENTER,MUMBAI -1993,1998,
KALA PARISHAD,BHOPAL-1995,
BIRLA ACADEMY, MUMBAI -1997,
GIVE & TAKE, GALLERY ARTIMEDIAIR,
THE HAGUE, HOLLAND-1998,
JEHANGIR ART GALLERY -1998, 2004,
SANKARADEVA KALAKSHETRA GUWAHATI -
2000,
RABINDRA BHAVAN, NEW.DELHI-2001, JAN.2006
MUSEUM ART GALLERY MUMBAI-2004
STATE ART GALLERY, HYDERABAD, 2007,
ALANKRITHA ART GALLERY HYDERABAD, 2009,
ICON ART GALLERY, HYDERABAD, 2009,
PRAKRIT ART GALLERY, CHENNAI, 2009
TRAVELLING SHOW 2015 (RANGAYAN ART GALLERY, NEHRU ART
GALLERY, MONALISA ART GALLERY, BALGANDHARVA KALADALAN)
JOINT SHOW BHARAT BHAVAN GALLERY BHOPAL 2007
CURATED SHOWS "DIFFERENT STROKES" ARTIST FROM
BHARAT BHAVAN AT PUNE-1998,
"HARMONY-ARTIST FROM PUNE 1999"
PANEGYRIC ENCOMIUM TO TRIBAL ART
PEMA FATYA PITHORA PAINTER FROM
JHABUA M.P.
TRIBUTE TO LATE JANGARH SINGH SHYAM
PUNE, 2005.
FRIENDS OF VISUAL ART ,AT
BALGANDHARVA PUNE, 2008,
FORM WITHIN FORM, BALGANDHARVA KALA
DALAN, PUNE , MARCH 2009,
“FLASH 2012” AT ARK ART GALLERY
KOREGAON PARK ,PUNE 411001
“ DUAT” EXHIBITION OF ACADEMIC WORKS
BY RAJESH & PRAFULL SAWANT AT ARK
ART GALLERY,K.P. PUNE ,DEC.2012
MYTHOLOGICAL PAINTING BY
SADANANDAN AT ARK ART GALLERY,
KOREGAON PARK ,PUNE DEC.2012
PARTICIPATION NATIONAL EXHIBITION OF ART,
NEW DELHI-1992,1994,1998,2000,2007
BHARAT BHAVAN,BHOPAL.1994,95
NASIK KALA NIKETAN- 1985,1987,
STATE ART EXHIBITION-1987,1991,2003
ART SOCIETY OF INDIA - 1988,
OAK ART COMPETITION -1988,
CAMLIN FOUNDATION ART COMPETITION 2005
“KALA PUSHPA” G.R. VADANGEKAR AWARD
SANGLI,2006
BOMBAY ART SOCIETY 2006,
CAMLIN ART FOUNDATION EURO TOUR 2006
My association with Mojarto has been very old. It is one of the leading online art galleries in India. I am proud about my association with Mojarto. The team has always been extremely polite and highly supportive. I would like to continue working with your gallery. I wish you great success.
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